We also explore the business of music, and how technology has impacted the production and consumption of music around the world.
Copyright by James Pritchett. Originally we had in mind what you might call an imaginary beauty, a process of basic emptiness with just a few things arising in it.
And then when we actually set to work, a kind of avalanche came about which corresponded not at all with that beauty which had seemed to appear to us as an objective. Where do we go then? Well what we do is go straight on; that way lies, no doubt, a revelation. I had no idea this was going to happen.
I did have an idea something else would happen. Ideas are one thing and what happens another. And what are we doing? It was an unusual idea for a museum show, since the whole purpose for visiting one is to witness things of beauty or interest. People do not go to a museum to look at blank walls, to walk through empty galleries.
Without any context, visitors would have been quite baffled by this, perhaps thinking that they had taken a wrong turn, that someone made a mistake, or for those who like adventure that a daring theft had taken place.
But these visitors would have known that this is an exhibition about John Cage, and hence the empty room would make sense. It is not surprising that this piece would attract the kind of attention that it has.
To begin with, it is a compelling dramatic gesture. At its first performance, virtuoso pianist David Tudor sat at the piano, opened the keyboard lid, and sat silently for thirty seconds.
He then closed the lid. He reopened it, and then sat silently again for a full two minutes and twenty-three seconds. He then closed and reopened the lid one more time, sitting silently this time for one minute and forty seconds.
He then closed the lid and walked off stage. With the right kind of performer, such an event can be riveting, and Tudor was absolutely the right kind of performer, possessing an understated mastery of the instrument and a seriousness of purpose that was palpable to everyone in attendance.
Part of what makes the drama so compelling is the utter simplicity of the concept. The composer creates nothing at all. The performer goes on stage and does nothing. The audience witnesses this very basic act, the act of sitting still and being quiet.
All this takes place in a Western concert hall setting, lending a historical and artistic gravity to the proceedings that begs us to put this act into some kind of weighty context, fraught with importance.
The piece can be difficult for audiences just as the empty room in the exhibition might have been. Sitting quietly for any length of time is not something to which people are accustomed in Western culture in general, much less in a concert hall setting.
That tensions will arise, with controversy and notoriety following, is only natural. Confronted with the silence, in a setting we cannot control, and where we do not expect this kind of event, we might have any of a number of responses: What did Cage mean when he made this piece?
How are we supposed to take this music?
Jul 10, · These may include, the society or culture to which the individual belongs, sub-group membership, individual characteristics including gender, age, prior experiences of music, current mood, whether the music is self or other selected and the extent to . Music is in the form of song lyrics, music recordings, spontaneous tunes, written music, the music performances in social life and staged music performances. In the historical perspective, music is present as an elementary thing of human experience and a divine phenomenon of human culture. Lo-fi (originally spelled low-fi [from the term "low fidelity"] and alternately called DIY [from "do it yourself"]) is an aesthetic of recorded music in which the sound quality is lower than the usual contemporary standards (the opposite of high fidelity) and imperfections of the recording and production are audible. These standards have evolved throughout .
Noise — For someone traveling through the early parts of this exhibition, or for someone otherwise familiar only with the early works of John Cage, the appearance of the silent piece may be puzzling. Indeed, Cage in his early days as a composer promoted the antithesis of silence: Wherever we are, what we hear is mostly noise.
When we ignore it, it disturbs us. When we listen to it, we find it fascinating. What is missing in this early essay, however, is the identification of silence as the underlying rationale for these positions.
What does appear here is a discussion of musical structure based on lengths of time:News. Lexis Advance has been named the “Best Legal Solution” by the SIIA CODiE Awards. These premier awards for the software and information industries called out Lexis Advance® vast content, data analytics and visualization tools as cutting-edge and best in the legal industry.
We are always adding new performances to this list, so please check back soon for updates! Aug 08, · Collectively, these papers emphasize the enhancing role of music and emotion on memories in various contexts, which I shall focus on in this review. Music and memory Musical sounds, like all auditory signals, unfold over time.
Jul 10, · These may include, the society or culture to which the individual belongs, sub-group membership, individual characteristics including gender, age, prior experiences of music, current mood, whether the music is self or other selected and the extent to . [Content warning: Politics, religion, social justice, spoilers for “The Secret of Father Brown”.
This isn’t especially original to me and I don’t claim anything more than to be explaining and rewording things I have heard from a bunch of other people. The Complete Guide to MLA & Citations What You’ll Find on This Guide: This page provides an in-depth overview of MLA format.
It includes information related to MLA citations, plagiarism, proper formatting for in-text and regular citations, and examples of citations for many different types of sources.